My dissertation i wanted to talk about what i previously talked about which was “why is Stopmotion unsettling” the reason for this is because of my fondness over horror films and animated films such as Nightmare before Christmas and Coraline.
i managed to go into great deal about what exactly makes stopmotion scary. Talking about how stopmotion started, using bugs and clowns which are already scary things to people, how stopmotion was used in films, such as terminator and class of the titans. Then i went into more sientific research discussing the uncanny vally and why it helps my research explain that the more something apears real the more it becomes uncanny and offputting.
So with this already gathered information i discussed already and found an interest in i thought i would just continue my investigation on this chosen topic.
WHY IS STOPMOTION UNSETTLING.
This was brought up in our first meeting in groups where we spoke about our ideas and came up with why we would want to talk about it, explain a little about why we enjoyed this topic.
Afterwards i started to focus on the idea of the word unsettling. what do you have to do to make people scared? why are people afraid? what is it that makes something scary?
This lead me down the road to watching Nightmare on elm street and Jaws.
The reason for this is because of my interested in horror and the idea of scaring someone, i wanted to watch films i am a fan of and find out why the scares work so well.
while researching i looked for stop motion monsters. The information about horror films and Stopmotion i looked into scenes such as a stopmotion Freddy Krueger in the film A Nightmare on Elm Street 3: Dream Warriors. where Freddy becomes a Stopmotion Puppet. Other films would have been Class of the Titans with villians such as Medusa and the kraken and Evil dead with the stopmotion used for the demons death scenes.
The reason i want to talk about stop motion so much is due to how realistic it is compared to CGI, with stopmotion the movements are more realistic and offputting due to the uncanny nature of how the lighting, movement and textures on the creatures are eerie and unsettiling compared to CGI which feels rushed and unfinished, the creatures normally feel out of place and plastic looking making the audiance who watches them feel less threatened by it due to them being taken out of the moment, knowing its fake, unable to make them disbelieve.
After more meetings i realised with my love for Horror and my interest in what scares you. I think im going to change my dissertation to more about film than just stop motion, reason for this is because stopmotion is mostly seen in older films all the new information i will be able to find wouldnt be up to date. So i will still try to stick with stop motion, but i will group it with Practical effects.
Practical effects is essentually when the items and objects used are real, this can be from guns, creatures, monster costumes and sometimes special effects. This gives off a much more realistic feeling to a film but due to costs more and more films decide to go with CGI to save time and money.
With this in mind this fits with stopmotion since both “relecs of the past” have been replaced with CGI, which i dont feel is right, esspecially for horror films that need that extra realisum.
Now that ive decided to focus more on Practical effects i will also be changing the link from stopmotion horror to just Horror. I will do this by having the main focus of horror i will talk about films that have sequels or remakes based off them. the reason for this is normally with horror films, if they get popular they will get sequals but due to Companys wanting more money from those sequals they reduce the money to make it, leading to CGI being used instead of Practical effects to help save time and budget.
Films that follow this trend can come in many shapes and sizes from Nightmare on Elm street (Used stopmotion) but its remake uses CGI instead which looks outdated, The shining (Steven king hated the original so made a TV Series which uses CGI) Jaws ( Jaws 4 being the most hated, with one of those reasons being the abundance of CGI), Al, en (original using no CGI compared to the most recent film soley using CGI), The Thing original used nothing but practical effects while the prequel was going to be practical but the studio at the last minute edited the film to make it CGI.
as you can see there is many many things i could talk about. so to focus on the important infomation i will talk about films, what makes them scary and why they are able to be scary. I will probably be talking in deph about cinimatography, music and sound since all three are able, when working together, to create the sensation of fear.
Im happy with my choice to focus more of horror films and why they’re scary compared to just Stopmotion films.
I feel i now have a much wider range of films i would be able to pick and choose to talk about and i cannot wait to be able to talk about them.
Books I researched
The Stop Motion Filmography Volume 2
Neil Pettigrew foreword by Ray HarryHausen
Page 503 – Nightmare of Elm Street 3 : DreamWarriors
“The best of the series was Dream Warriors, which had some superb special makeup ‘effects and also two sequences that used the stop motion skills of Doug Beswick and Jim Aupperle.”
Page 504
“Beswick, Aupperle and their team supplied 23 stop-motion cuts. Five are used to show a foot-high marionatte of freddy comming to life.”
“The Marionette sequence begins when a featureless string puppet hanging on a wall transforms into a likeness of freddy”
“The Puppet slashes its own strings and drops down, landing on the floor (a miniature set) on bendy legs that are deliberately unrealistic, and walks towards the bed”
Page 505
“In five medium shots (two from the front, three from behind). The skeleton advances on wasson”
“Two superb long shots, angled as if looking up from the grave, show the skeleton shoveling earth straight at the camera.”
Horror and the Horror Film
By Bruce F. Kawin
Page 2
“Horror can be filled with violance, cruelty and gore. It can scare us badly. It can be inexpressible, nameless. It can make us want to vomit. And it can be disturbing”
Page 3
“Above all, the horror film provides a way to conceptualize, give a shape to ahd deal with the evil and frightening”
Page 5
“Our eyes widen at the image of Horror, Taking it in, Feeling awe at the awful.”
“Those Moments – When we must look at what we dread to imagine or think we cannot bear to see – are the pulse of the genre, moments of revelation and clarity”
Page 7
“One of the first things to examine critically about a horror film is weather it depends more successfully on spectacle or on suggestion.”
“What cannot be shown must be implied, and much of the art of the horror film has developed as a means of suggesting – in shadows for instance what might be hidden in shadowns.”
The spectre of sound : Music in film and teveision
By K.J. Donnelly
Page 1
“Consequently, i am concerned with how film music constitutes a system of control basedon is ability to affect audiances in a significant manner and to assent to or validate their emotional reactions”
Page 22
“Film music’ haunts’ films, both as ghostly references to somewhere else and something else, and as a mysterious demonic manipulative device.”
Page 23
“Illustrations of this ‘Demon’ could include the shark theme for Jaws (1985), which indicates the offscreen presence of the shark as a powerful musical presence”

















